Tag Archives: Morgan

Thoughts on AMC’s Robert Kirkman Fan Chat

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Warning: This Walking Dead Season 3 post contains spoilers. Please wait until after watching the season finale, before reading further.

Robert Kirkman, Executive Producer and Writer for The Walking Dead

Robert Kirkman, Executive Producer and Writer for The Walking Dead

This week’s Dead Alert newsletter contains Part I or a two part interview with Walking Dead Executive Producer, Writer, and Creator Robert Kirkman, which is conducted entirely through fan questions. I found the Part II linked and available so I’m going to comment on both of them.

A few of the questions fans ask Kirkman in Part I are fairly common things fans might want to know, but unfortunately elicit really uninspired responses. These are questions like “What was the reasoning behind having Laurie Holden’s character killed in the Season 3 Finale? With Rick bringing more people back to the prison, will this is some way complicate his relationship with Carl? Can you talk more about the casting process for the show? and Robert, will we see Morgan again?”

It doesn’t surprise me that they had a plan for how Andrea’s death would impact characters in Season 4 of the show. Otherwise it would have seemed pretty pointless to kill her. I think we could already see Rick and Carl’s relationship getting complicated in the middle of Season 3, plus they seemed to be at even greater odds during the finale. I was pretty certain that their relationship would change in “startling and interesting ways” as Kirkman puts it. Casting? Do people really want to know about that generally? It only seems like something that should be of note when it comes to specific actors. I guess, a general question gets a generic response. And then lastly, I’m not sure why they would bother re-introducing Morgan if the writers had no intention of him showing up again. That would just be silly to waste him as an ammo producing plot device.

The other questions in Part I are much more fascinating. It’s cool to learn how an actor finds out about his or her character’s impending death and how much say he/she has in the actual death scene. I’m not surprised they play things close to the chest. I wouldn’t want a performance tarnished by someone’s awareness that they would die either. I like that someone asked if the group could survive without Rick. Killing off a central character like that could be risky, however it would be exciting and take the show in cool directions the comic hasn’t gone. Lastly on Part I, I absolutely LOVE that someone asked Kirkman about the Walking Dead/Toy Story meme floating around which compares the similarities between the two. Kirkman takes a silly question like that with a good sense of humor and reveals something we all probably suspected. No coincidence intended.

Robert-Kirkman-Fan-Interview-2The questions fans ask in Part II of the Robert Kirkman Fan Chat are much more interesting. There’s only one question that seems like a setup for Kirkman to play coy “Can you shed any light into how the Governor’s story will continue…or close in Season 4?” Of course he wouldn’t spoil any details, which is why Kirkman responds “I can say the Governor will certainly be around. But we’ll be seeing him in a new light, and doing some different stuff with him, so it’s not going to be the same Governor in Season 4.”

The question about whether Kirkman would want to be a walker is a bit cheesy, but still goofy and fun. I can’t see too many people answering yes to that question. I dig the inquiries about differences between The Walking Dead show and the comic. When asked which one he cherishes more, I had no doubt he would say the comic considering he created that first and has been working on it for some time. I also liked learning about story lines Kirkman wished he had thought of for the comic.

My favorite questions in the entire two-part interview though are tied for the one about Daryl’s potential love life (simply based upon how it’s phrased), and the one about whether a particular zombie in Season 3 Episode 15 was meant to be a nod to “Dawn of the Dead.” I can’t believe how observant that person was! I’m shocked that I didn’t notice such a brilliant nuance considering how much I love George Romero’s film AND the fact that I usually pick out all sorts of tiny references.

I’m already going through withdrawls now that Season 3 is over. I don’t think interviews like this will sustain me all summer, so it’s back to reading more of the comic, playing the video game, and perhaps finally checking out the webisodes.

 

The Walking Dead Comic, Chapter One: Days Gone By

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Walking Dead Comic Days Gone By

“The Walking Dead,” created by Robert Kirkman and illustrated by Tony Moore

Warning: This Walking Dead comic post contains spoilers. Please wait until after reading Chapter One, before exploring further. 

Summary: After he’s shot in the line of duty, police officer Rick Grimes, wakes up to find the world overrun by flesh-eating zombies (aka walkers). A kind stranger named Morgan and his son Duane fill Rick in on what’s happening and help him get back on his feet. Then Rick sets out to find his wife and son in Atlanta, where he believes they’ve found safe haven. He nearly gets overwhelmed by zombies in the city, but Rick is saved by another Good Samaritan Glenn, who brings the weary traveler back to his camp of survivors. One he arrives, Rick finds that his best friend Shane is there and that he has taken care of Rick’s wife Lori and son Carl. The grateful Rick reunites with Lori and Carl, although he doesn’t realize that Shane isn’t willing to give up his new family so easily.

The first issue of The Walking Dead comic, Chapter One: Days Gone By, starts out briskly with only a single page of back story before it throws you into the fray. You see Rick get shot in the line of duty and then the next thing you know he’s jolted awake, alone in the hospital. Because you don’t learn much about Rick beforehand, there’s more fear and urgency to Rick’s situation. It’s very much like the opening to the Danny Boyle film “28 Days Later,” except Rick discovers the flesh eaters quicker.

Unlike a film, the comic doesn’t have sound or music to amplify the anxiety of Rick’s frightening discoveries. It also lacks color, something that would normally add to the disgusting characterization of the zombies you see. What’s amazing about the comic is that even without these embellishments, it’s remarkably successful at telling a grim, unsettling tale. That’s because the incredibly detailed dialogue, spelled out sounds (like “BLAM!”), and facial expressions of the characters compensate for the absence of more in-your-face methods. Lighting and shading are also used to bolster the atmosphere in this tale by establishing time of day and providing another layer of emotional depth to each individual scene.

Stylistically, the layout is a nice mixture of different types of art. There are pages comprised entirely of framed sketches, half-page scenes which have framed drawings woven around them, and in some instances, full-page art. I love artist Tony Moore doesn’t draw the frames straight and crisp. Instead they have a rougher, uneven look that fits in with the comic’s post apocalyptic setting. The most compelling work is obviously the full-page stuff, which can be incredibly gruesome, frightening, or beautiful in a disquieting way.

From a story perspective there are some really entertaining things going on, like when Rick and Glenn coat themselves in walker blood and body parts as a disguise. This wacky plan keeps the zombies from smelling them in Atlanta, and allows the pair to retrieve a cache of guns. It’s one of the better things that The Walking Dead television show lifts from the comic. The traumatizing zombie attacks and deaths of group members are tough to read, but they serve to mentally prepare you for future books in the series, which aren’t shy about killing characters off. The conflict between Rick and Shane is also really intense. When Lori tells Shane it’s over between them in the pouring rain you feel his pain and when Shane’s yelling at Rick you can sense his raw anger.

Probably the best moment in the first chapter of The Walking Dead comic, is the climactic showdown between Rick and Shane at the end. After Carl shoots Shane to protect his father, the issue closes on a disturbing piece of full-page art. Rick and his son share a scared embrace over Shane’s dead body.

What did you think of the first Walking Dead comic? If you watch the show, were you happy with the elements they brought over from this first issue into Season 1?