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Walking Dead Season 4 Trailer and EW Cover Story

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Chandler Riggs as Carl Grimes on the cover of Entertainment Weekly

Good

Andrew Lincoln as Rick Grimes on the cover of Entertainment Weekly

Better

 

Norman Reedus as Daryl Dixon on the cover of Entertainment Weekly

Best

My excitement about The Walking Dead Season 4 went from a 5 to an 11 last Friday. It was a great day to be a fan of the show because not only was The Walking Dead Season 4 trailer unveiled at the San Diego Comic-Con, but the issue of Entertainment Weekly that was released had a Walking Dead story and three different collectible covers. A cover features Rick Grimes (Andrew Lincoln), another has Carl Grimes (Chandler Riggs), and the third, most badass one features my favorite character Daryl Dixon (Norman Reedus) on his motorcycle. Sadly I didn’t get the Daryl edition like I had hoped, although I was still pretty happy with Rick.

Based on The Walking Dead Season 4 trailer and EW’s article, the new season, which starts in October 2013, seems like it will be a great mixture of character driven episodes and tense action. Here are my thoughts on the trailer and the article. Be sure to watch the trailer below and let me know what you think about this teaser for Season 4.

When we pick up with the people at the prison, it seems like times are getting extremely tough. With more humans at the prison, resources are probably going much faster. There are multiple shots of Daryl and company risking their necks on dangerous supply runs like the one in the trailer’s opening at a Walmart-type store. It’s definitely unsettling to hear screams of pain without knowing the source. Plus, the conversation that Carol has with Daryl about the increasing number of walkers and the shots of zombies piling up against the prison only add to my anticipation about how the survivors will deal with the growing threat.

Speaking of Carol, I was glad to see her talking more with Daryl. I’m not ashamed to admit that I’m a total shipper hoping that those two get together. I also thought it was funny that she was teaching a class on knife safety. I’m intrigued to see how that particular portion fits into the coming episodes. Other things that made me curious: the new character played by Lawrence Gilliard Jr., all the emotional reaction shots, the talk about leaving the prison, the scene where everyone is fighting their way from a car through a swarm of zombies, and the final moments when they hear something on the radio.

Lawrence Gilliard Jr.’s character clearly has something dark going on beneath the surface, especially based on the shot where he’s looking in the mirror with his hand shaking. I wonder what potentially dastardly deeds he will perpetrate. Hopefully he isn’t linked to Hershel’s line about two of their own being killed in cold blood or to the shot of dead rats someone has been feeding the walkers on the fence. The emotional reaction shots could be to anything, although to me they signal a lot more character-rich episodes.

The scene where everyone is fighting near the car and Tyreese is battling a cluster of zombies by himself, reminds me of a part of the comic where he similarly fends off a ton of walkers. I cross my fingers that the fight goes in his favor since I like Tyreese. I’m going to guess that his busted eye in the trailer comes from a fight with Rick. I can’t wait to see how their relationship is built up in the show and what will eventually bring them to the same blows that they famously exchanged in the comic.

The Entertainment Weekly Article

The cast of The Walking Dead in Entertainment Weekly

Wicked creepy right? This isn’t a position I’d want to be in.

The main photo for EW’s Walking Dead Season 4 article is amazing. It’s cool toward the beginning of the issue that you see how the photographer was on his back to take the shot of everyone creepily standing over him.

Behind the scenes with the cast of The Walking Dead

Cool to see how it’s done huh?

I enjoyed the piece’s anecdotes about Chandler Riggs (Carl) finally getting to fire a real gun on set after celebrating his 14th birthday. Admittedly I was concerned too about the season would be with its new showrunner Scott Gimble, however the interviews with cast members and reminders of the superb episodes that he wrote in Seasons 2 and 3, assuaged my fears.

EW got me wondering how The Governor will crop up in Season 4 and hooked me with teases about an impending threat scarier than the walkers. It made me laugh though to hear viewers were confused about the Tyreese/Sasha relationship. Even if you didn’t read the comic, I thought it was fairly obvious that they were family. Like the EW writers, I’m speculating nervously on how many characters might get killed off this season.

I say if Daryl dies we riot. Anyone else agree?

Just kidding…or am I? Haha.

The Walking Dead Comic, Chapter One: Days Gone By

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Walking Dead Comic Days Gone By

“The Walking Dead,” created by Robert Kirkman and illustrated by Tony Moore

Warning: This Walking Dead comic post contains spoilers. Please wait until after reading Chapter One, before exploring further. 

Summary: After he’s shot in the line of duty, police officer Rick Grimes, wakes up to find the world overrun by flesh-eating zombies (aka walkers). A kind stranger named Morgan and his son Duane fill Rick in on what’s happening and help him get back on his feet. Then Rick sets out to find his wife and son in Atlanta, where he believes they’ve found safe haven. He nearly gets overwhelmed by zombies in the city, but Rick is saved by another Good Samaritan Glenn, who brings the weary traveler back to his camp of survivors. One he arrives, Rick finds that his best friend Shane is there and that he has taken care of Rick’s wife Lori and son Carl. The grateful Rick reunites with Lori and Carl, although he doesn’t realize that Shane isn’t willing to give up his new family so easily.

The first issue of The Walking Dead comic, Chapter One: Days Gone By, starts out briskly with only a single page of back story before it throws you into the fray. You see Rick get shot in the line of duty and then the next thing you know he’s jolted awake, alone in the hospital. Because you don’t learn much about Rick beforehand, there’s more fear and urgency to Rick’s situation. It’s very much like the opening to the Danny Boyle film “28 Days Later,” except Rick discovers the flesh eaters quicker.

Unlike a film, the comic doesn’t have sound or music to amplify the anxiety of Rick’s frightening discoveries. It also lacks color, something that would normally add to the disgusting characterization of the zombies you see. What’s amazing about the comic is that even without these embellishments, it’s remarkably successful at telling a grim, unsettling tale. That’s because the incredibly detailed dialogue, spelled out sounds (like “BLAM!”), and facial expressions of the characters compensate for the absence of more in-your-face methods. Lighting and shading are also used to bolster the atmosphere in this tale by establishing time of day and providing another layer of emotional depth to each individual scene.

Stylistically, the layout is a nice mixture of different types of art. There are pages comprised entirely of framed sketches, half-page scenes which have framed drawings woven around them, and in some instances, full-page art. I love artist Tony Moore doesn’t draw the frames straight and crisp. Instead they have a rougher, uneven look that fits in with the comic’s post apocalyptic setting. The most compelling work is obviously the full-page stuff, which can be incredibly gruesome, frightening, or beautiful in a disquieting way.

From a story perspective there are some really entertaining things going on, like when Rick and Glenn coat themselves in walker blood and body parts as a disguise. This wacky plan keeps the zombies from smelling them in Atlanta, and allows the pair to retrieve a cache of guns. It’s one of the better things that The Walking Dead television show lifts from the comic. The traumatizing zombie attacks and deaths of group members are tough to read, but they serve to mentally prepare you for future books in the series, which aren’t shy about killing characters off. The conflict between Rick and Shane is also really intense. When Lori tells Shane it’s over between them in the pouring rain you feel his pain and when Shane’s yelling at Rick you can sense his raw anger.

Probably the best moment in the first chapter of The Walking Dead comic, is the climactic showdown between Rick and Shane at the end. After Carl shoots Shane to protect his father, the issue closes on a disturbing piece of full-page art. Rick and his son share a scared embrace over Shane’s dead body.

What did you think of the first Walking Dead comic? If you watch the show, were you happy with the elements they brought over from this first issue into Season 1?